The origins: Roots and Branches . . .
These essays are not meant to be seen on a small cell phone screen. Also notice the amber colored texts as they are links to various citations, factoids, trivia, music and more.
Re-sowing the Prog Metal Tree.
So this is a quicky chart I'm creating which I will later make a Chart/Family Tree much like the style of Pete Frame, but that will take some time. So that will be my next project (its 2017, I still need to do that).
Stemming from a Banger TV's "Locking Horns" episode (and another in 2017, as well as: Tech Death Metal Lock Horns), I wanted to have my own take on replanting the Progressive Metal, or "Prog Metal" Family Tree of each sub-genre, as well as growing new ones with its viewers . . .
This list will definitely be re-edited with thoughts, factoids, citations, links, grammar/verbiage (fixing typos) and possible other bands that were a powerful influence in-what we have today (2015 onward) or that they were super unique and way ahead of their time but were lost in the cracks of yesterdays.
Where Prog Metal gets its "Roots" and many branches . . .
https://www.youtube.com/playlist?list=PLA911C12EC45DCF4A
Portnoy, his journey and where he came from:
https://www.youtube.com/watch?v=_6ISFr8xoLI&t=3s
The bands listed I believe:
1. Were super "unique" in establishing their own style. They may not have influenced or inspired others, but they were the "1st" to create a sound that was ahead of their time, especially in the early days of Metal and their progressive elements.
2. Created a unique sound in Prog Metal, but also influenced other bands and/or . . .
3. Bands that helped create new "Sub-genre's" (Technical versions of Thrash, Death Metal, Prog Metal, Symphonic, Powermetal, Gothic/Darkwave, Folk, Avant-Garde, Alternative etc.).
4. Bands that were influenced by other bands, in-turn created a new sub-genre or "sound" -
i.e. Pink Floyd, Tool and Porcupine Tree (Tool having Alternative/Metal roots and Porcupine Tree being influenced by Prog Metal in their later career) influencing ---> Riverside - a band that had clear "Metal" influences and inspiring other bands - thus fitting in the Prog Metal category undeniably.
5. Bands that either have been around for more than 3 to 5 years, that may only have 2 or 3 albums:
a. Have 3 to 5 albums over their career and are still active (or had 3 to 5 more albums yet have disbanded).
b. Have "1 or 2" albums recorded that made significant statements in Progressive music, such as:
- Cynic (1 album, though reformed in 2006 releasing 2 subsequent albums and an Ep)
- Watchtower (Made 2 albums but debut was a limited run till it was re-issued. They are currently working on a new album with 4 songs released as a sneak preview of what is to come)
Recent note: released in 2016: Concepts of Math: Book I
- Spiral Architect (1)
- Fredrik Thordendal's Special Defects (1)
- Powermad (1 ep, 1 album. They reformed in 2014 and released an unsigned album in late 2015)
- Realm (2)
- Wrathchild America (2 albums, then continued as "Souls at Zero")
Blue are bands having a unique sound and that "may" have been an inspiration for other bands.
Black, bands that are ahead of their time and unique - they may not have inspired many or any band, but thought on another level from their releases, no matter what year.
I did my best to limit bands to "20 to 25" on each list, some bands were duplicated for their links to other
subgenres of Prog Metal.
Important Note: Click on "Years" for each debut album, or an era when a band used Prog elements (or an
album that best represented their move to Progressive sounds. Example: Wrathchild America's "3D"
album).
By the way; there are SOO many sub-genres to Metal, that sometimes the "fans" can be a bit ridiculous
when some titles begin to sound like they were just "made up" on the spot. For the sake of THIS essay, the titles I am using are from the history I personally read in "Trade magazines" (yes kids, we had NO internet back in them times when dinosaurs roamed the earth, we had to get our info from such Metal mags as; SOD, Ill Literature, Terrorizer, to name a few) and other sources in the early age of the internet (including Metal label sites). This includes my experience in working at 2 Record stores (Tower Records, where I stocked, received and created displays, and Record Surplus as a stocker) and a CD Wholesale warehouse distributor (Leftcoast Marketing as a shipping & receiving clerk, stocker and created pallets for various musics), reading up and receiving promos from label reps.
I searched out for these musics (and many were "blind" purchases) and are treasured additions to my collection since 1982 (and Progressive Rock since 1977). I'm trying my best to avoid wacky subgenre titles, or it ends up sounding like this :D . . .
for a historical ride :) . . .
https://mavearworx.weebly.com/blog/category/the-birth-of-prog-metal-part-1
Special thanks to . . .
Progulus.com
For the info and friends I have made there at its conception.
These groups also have always helped in their knowledge, information and keeping me current in the obscure past and those taking us into the future.
Progressive Metal (Fb)
Progressive Rock Planet (Fb)
Proggers (Fb)
Metal Music Archives.com
(and the dedicated Greeks at...)
At Fates Hands (Fb)
PrOck on!
\m/
| Progressive Rock influences |
Pink Floyd
Yes
Jethro Tull
Deep Purple
Genesis
King Crimson
Emerson Lake & Palmer
Uriah Heep
Gentle Giant
Camel
Kansas
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Rush*
| The main root to Prog Metal |
Queensrÿche
Fates Warning
. . . the Fathers of the genre.
Watchtower
Voivod
Kings X
Dream Theater
Psychotic Waltz
Tool
Symphony X
Meshuggah
Ayreon
Devin Townsend
Pain of Salvation
Opeth
Riverside
Leprous
Ne Obliviscaris
Haken
TesseracT
Rush (1975 - 1975* - 1976 - 1977-) - The main link to Heavy Progressive Rock: Uriah Heep, Rainbow, Triumph, Nightwing, Magnum, Zebra, Alcatrazz and other bands coming to ranks during the mid 80's (see my essay link "Witnessing the Birth of Prog Metal" for more bands) - as "Precursors" to the various subgenres.
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Fates Warning (1986 - 1988 - 1989 - 2016-) -----| to Metal, expanding the parameters of the genre beyond power chords and being fast and heavy. Fates Warning is also another link to Thrash Metal in their earlier era.
Watchtower (1985 - 1989-) ------- The links to "Math Metal/Tech-Metal" and Technical Thrash (this includes earlier Fates Warning) and decades later Spiral Architect. It has been noted they also influenced Dream Theater and Chuck Schuldiner of Death.
Voivod (1989 - 1993-) ------------ Link to Technical Thrash. No one sounds like Voivod or approaches Metal as they do. Starting off as a Thrash band, they slowly progressed further and further with each album. "Outer Limits" being one of their most Progressive albums, each album has a unique style and a recognizable Voivod tone and sound.
Kings X (1988 - 2008-) ----------- The link to Alternative Prog / Along with Tool, Faith No More, 3, Muse, Fair to Midland, Primus, You shall know us by the Trail of Dead, and many others. Bands that infuse Metal with Rock; earlier days of Budgie, later years of Trouble, including the "Texas 3": Galactic Cowboys, Atomic Opera. Yet Kings X mixed Rock, Soul, Funk, Gospel, Blues, Grunge and Progressive Rock to formulate their own unique sound.
Dream Theater (1989 - 1992 - 1994 - 2015-) ----- Inspiring the 2nd and 3rd wave of Prog Metal: 2nd - When Dream and Day Unite (1989), 3rd - Images and Words (1992). "Yes meets Metal", a Progressive Metal that emphasized the instrumentalist.
Psychotic Waltz (1990 - 1992 - 1996-) ----------- A style along the lines of Fates Warning (no Keyboardist) but a completely different tone of Prog Metal. The band has reformed and have been working on a new album for 2 years, hopefully with a 2017 release date. This band deserves a lot more credit in being a unique voice in Prog Metal.
Tool (1993 - 1996 - 2001-) --------- Link to Alternative/Prog. Tool are interesting as they have always had a foot in Metal, Alternative and Progressive Metal, yet has brought in fans that did not necessarily listen to Metal and especially Progressive music.
They very much inspired/influenced many bands; Porcupine Tree, Riverside, Karnivool, Absolace, Votum, Clover Seeds, Soen and more.
Symphony X (1994 - 2000 - 2002-)-------- The link to Powermetal --- Kamelot --- Link to Gothic-Darkwave/Symphonic Prog Metal. A leaner Symphonic Neo-Classical/Powermetal style that has more ties to Prog Metal in its overall sound. From melodic to complex and epic tracks. Also inspiration/influence and links to; Artention, Anubis Gate, Pagans Mind, Seventh Wonder, Cloudscape, Spheric Universe Experience and more.
Meshuggah (1994 - 1995-) --------- The next link to Tech/Math Metal - Inspired by: Death, Cynic, Atheist --Link to Avant-Garde. Inspirations to bands like: Dynahead, Instant Suppression, Degree Absolute, Sadist, Bulb, Cloudkicker, Animals as Leaders, Between the Buried and Me and others. Most of the music may be in 4/4 to headbang violently to, but what they did within the 4/4 signatures is complete madness. These meshugganers just thought on another plane of existence.
Ayreon (1995 - 1998- 2004-) ------------ Arjen Lucassen's super group('s). 1st to use various musicians and vocalist on highly conceptual albums. Inspired heavily from Progressive Rock classics, including Sci-Fi and Fantasy themes.
Devin Townsend (1997 - 2009 - 2016-) ---- Solo/Devin Townsend Band/Devin Townsend Project. Enigma, mad scientist.
Taking Metal Progressive music in a unique territory, rich with multi-layered textures, harmonies, quiet atmospheres and his "Wall of Sound". As well as a force to be reckoned with on stage with his various line-ups and concepts.
Pain of Salvation (1997 - 1998 - 2002-) -------- Taking the Dream Theater template further with complex changes and tempos that are in a much different style, including a more falsetto voice and various vocal keys. Later years becoming "something else".
Opeth (1999 - 2008- 2016-) ------------- Link to Death Metal and Black Metal. One of (if not the 1st) - to use acoustic guitar / atmospheric interludes and passages, abrupt changes, gothic motifs and esoteric lyrics with guttural and clean melodic vocals in Death Metal with Progressive overtones. Later years having a more Uriah Heep, Deep Purple, Rainbow meets Camel feel, with clean vocals.
Riverside (2003 - 2015-) ---------- Inspired by: Porcupine Tree, Opeth, Tool, Anathema, Katatonia - inspiring: Votum, Karnivool, Dead Soul Tribe, Enochian Theory, Absolace, Soen and the like. Including members of Indukti.
Leprous (2006 - 2009-) ----- A true mix of Black Metal, Prog Metal, Death Metal and even Alternative Metal tones. But mixed together in a very unique way that's hard to describe.
Ne Obliviscaris (2007 - 2014-) ----- Link to Black Metal and derivatives such as (Early and Later): Celtic Frost, Opeth, Arcturus, Ulver, Agalloch, Solefald, Anaal Nathrakh. Unique sound that blends Black Metal/Death Metal and Progressive Rock (and add Violin!).
Haken (2008 - 2010 - 2016-) ------- A variant of the Dream Theater grandiose style but also different degrees of a heavy sound and Progressive Rock tropes, along with long compositions and conceptual themes. But have been embraced by a newer fan-base, taking the style further in their own direction.
TesseracT (2010 - 2015-) --------- The link to the Djent scene - inspired by Pre-Djent bands: Gordian Knot, Canvas Solaris, Behold...The Arctopus, Continuo Renacer, Koyaanisqatsi, Bulb, Chimp Spanner, Cloud Kicker, Exivious, Gru, Periphery. They are not only technically proficient, they are able to take the complex and fit it within a melodic song format that includes atmospheric moments, melodic and rough vocals. All with a more unique progressive tone than most other bands that I have personally heard coming from the Djent scene (and yes, I do realize that many people "despise" the term Djent).
The Rush quandary . . .
It is Rush that had a heavier style than any other Prog Rock band in its earlier career (possibly along with Uriah Heep and Rainbow). It was always an emphasis in their early era (1975 to 1983) that the music was heavier. "Heavy Metal Progressive Rock" as was said on an early documentary of the band in 1980. To realize this, you must put yourself in the era of the mid 1970's when the term "Heavy Metal" was not used until the NWOBHM, and it was not widely used in the U.S. until 1981-82. Rush was just as heavy as most "Hard/Heavy Rock" bands but they obviously leaned on a progressive side. Though bands like Uriah Heep were influenced by Deep Purple and other musics, it was Rush that did not use 12 bar blues (with the exception of their debut album in 1974), soul and other "Rock" elements that were typical of 70's Hard Rock - instead taking rock somewhere else. Refining it, polishing the music much like Classical and Jazz, progressing it further.
They were pushing the envelope what heavier music was, while being influenced by what many bands were doing in Britain in the early 1970's. As well, other Canadian bands were experimenting with Prog Rock such as; Saga, Triumph, Max Webster and FM.
If THIS isn't Heavy Metal (Hard/Heavy Rock) for "1974", I think you might be stuck in the now or past 35 years and can't get beyond what was heavy before you may have been born:
Rush - "Garden Road" (1974)
https://www.youtube.com/watch?v=wzLaNCNpqcY
Or songs like; Finding my Way, Before and After, Working Man, Anthem, Beneath, Between, Behind, Best I can, Bastille Day, and Something for Nothing.
By their 2nd album ("Fly by Night"), experiments to move their brand of Heavy Rock with their influences from Progressive Rock bands would mature and grow with each album after. Which "no one" was doing other than Uriah Heep at the time. But not with such polish and technicality, that the genre would grow into. Examples of the heavier yet progressive sounds of the early 70's era; Bytor and the Snowdog, In the End, The Necromancer, The Fountain of Lamneth, 2112, Xanadu, Cygnus X-1, Circumstances, LaVilla Strangiato and Hemispheres: Cygnus X-1 Book II.
-* Both "Fly by Night" and "Caress of Steel" were released in 1975.
- * Possibly Rush put "above" the Sub-genre as the Forefather or a "Prog Metal Forefathers" list?
With a possible listing of other bands that were heavier in sound with Progressive leanings? But I'd be more than happy to leave it on the list as is-as the Main Root to Prog Metal.
- You can read even more about these points of view here:
http://mavearworx.weebly.com/blog/category/my-personal-story-with-progressive-metal-part-1-of-2
- Also, I add the years in which each band debuted their 1st album, or when they clearly changed (or featured songs that were "different" than most Metal at the time) to a "Heavy Progressive Rock/Prog Metal" style.
- Note: When I note "Inspired by"- meaning; The sound of a sub-genre, not as much a Band being directly influenced by a particular specific band, but its characteristics.
- Again, Years listed have a link to their albums that were significant to the Prog Metal sound (this is featured on each sub-genre).
A useful Tool . . .
Tool is an interesting band that it is "inbetween" Alternative, Progressive and Metal music. But the varied
opinions are strong for what they are, which can be a contentious topic. It was recently pointed-out to me
that it was a band that brought in fans that do not necessarily listen to Metal, and especially Prog
Rock/Metal, and exposed those musics to the uninitiated, and that's always a good thing.
Wiki says; "Undertow helped heavy metal music and progressive rock remain prominent as a mainstream musical style, and allowed several later bands to break through to the mainstream".
Along with Primus and Faith No More influenced the "Alternative Prog Rock/Metal" (where it gets even more contentious who belongs on this list) genre with bands such as ; Muse, Radiohead, You shall know us by the Trail of Dead, Mars Volta, Mogwai, Fair to Midland, Three (3), Laundry and what Dream
Theater's ex-drummer Mike Portnoy called OSI, "Radiohead meets Dream Theater", along with ex-DT
keyboardist, vocalist Kevin Moore, Fates Warning guitarist Jim Matheos, and guests like ex-Cynic bassist
Sean Malone and vocalist/guitarist of Opeth Mikael Åkerfeldt, Steven Wilson and Gavin Harrison of
Porcupine Tree (Gavin became the permanent drummer for the last 2 albums).
Tool may not make my personal list even though I enjoy their music (I have a long list of bands I'd add) but it is obvious they have contributed much, visually, lyrically and musically to the Prog Metal genre with a sound that has influenced many bands; Porcupine Tree for 2 albums (along with the likes of Dream
Theater, maybe not both Tool and DT directly but the "tone", and possibly inspiring each other), Riverside,
Votum, Enochian Theory, Karnivool, Absolace, Clover Seeds, later years of -Katatonia and Paradise Lost
influencing each other, Dead Soul Tribe, Soen and more).
You can sample these type of bands here . . .
https://www.youtube.com/playlist?list=PL2DU3TBNutEcnr_Fjq-ZMNeALABnPjz_S
Tiles, Sieges Even, Subsignal, Everon, Pagan's Mind, Ark, Vanden Plas, Pyramaze, Conception, Green Carnation, Suspyre, Wolverine, Circus Maximus, Redemption, Lalu, Myrath, Orphaned Land, In the
Silence, Wintersun, Pantommind, Anubis Gate, While Heaven Wept, Voyager, Seventh Wonder, District 97 and many many (many) others.
I have tried to include the bands that best represent where Prog Metal has "progressed" or at the very least, bands that have been embraced by their fans as significant examples of the genre. But - there may be a handful of bands that were very much ahead of their time and need to be re-examined as important
elements in the growth of Prog Metal.
| The foundation of Queensrÿche and Fates Warning |
Queensrÿche
Starting off as a Metal band with a splash of Speed Metal influences on their debut LP (1983), touched on progressive themes on "The Lady wore Black". But on "The Warning" album (1984), songs like; En Force, Before the Storm, and especially NM 156 and Roads to Madness were signs of how they were pushing Metal forward (and influencing the genre "Power Metal" along with Rainbow, Dio, Iron Maiden and Helloween).
Not only with tighter musicianship, but with Geoff Tate's soaring vocals, and lyrically with worldly issues, self-introspection and Sci-Fi themes along with the proverbial "Love Songs", but it went much deeper than sexual innuendo. If the music was to be intelligent, so would the words.
The all around musicianship was extremely tight, Eddie Jackson's Bass lines (also providing back-up vocals) were not only adding the bottom end-backbeat, but galloping, odd-metered and melodic. Scott Rockenfield's Drumming was precise yet full of emotion, beating his kit into submission yet keeping pace from the melodic to complex pieces, but still keeping the songs coherent. The dueling Guitars of Michael Wilton and Chris DeGarmo were a fantastic team treading on any melody that poised each other in point-counterpoint confrontation, to beautiful melodic soloing, including acoustic accents. Taking the emotion of the lyrics to its highest emotional plateau. With DeGarmo not only helping with the lyrics alongside
Tate, the compositions and main backing-vocals that gave a podium for Tate to emote even more of the passion.
When "Rage for Order" (1986) was released, it was personally the 1st time I heard the term "Prog Metal"
from the Metal press. The songs were not just Metal songs, there were motifs that were pushing the boundaries where Metal had tread. From the more adventurous tempos, tones, structures, to the "sound effects" between tracks and within songs, and now, Tate's keyboard accents adding colour that made it stand above the rest.
"Operation Mindcrime" (1988) would further the notion that Metal could be more than just heavy power chords. And that conceptual ideas like "The Wall" and "Quadrophenia" could be included in Metal music. And "Empire" bridging Metal, a more accessible "AOR" sound while still retaining its progressive leanings. To (my personal favorite) the all out Prog Rock/Metal album "Promised Land" where they take a more adventurous tone into the unknown (with an air of Floydish tropes), proving that not only did they have the chops, but they could take a spin at their own game. With each release finding its own identity (up until "Q2K" where in my opinion, and from band documentation, Tate became lazy and the band followed suit, trying to find an audience when the audience that was there only wanted them to progress and not regress). Even "Hear in the Now Frontier" (following Promised Land) was different than its predecessor yet a bit late from its own city that created the so-called "Seattle Sound", yet they made it their own, even though its fans started to wane, it was their abilities that made it unique.
But in recent years, after their firing of Geoffrey Tate and ensuing court battles (including the highly contentious sides of their fan-base), they came back with a vengeance with their new vocalist Todd LaTorre for 2 more excellent albums (2013's Self-titled and "Condition Human" in 2015) bringing back what once was lost. The band continues on (including Tate with solo efforts and his band "Operation Mindcrime") with a new sense of purpose and progressing-on full steam.
A band that was influenced by the Thrash scene was making a mark for themselves, but the 1st 2 albums had a very Iron Maiden sound, with its dueling guitars and vocalist John Arch very much influenced by Bruce Dickinson. The 2nd album "The Spectre Within" (1985) had traces of where they were headed with its more adventurous tempo changes and interludes of quiet melodies adding shades of colour to the aggressiveness.
But it was "Awaken the Guardian" (1986) that would break them out of the mold, not only did John Arch find his own unique voice, the prose to write lyrics were esoteric and poetic. The multi-tempo changes with the dueling guitars were more exposed, the point-counterpoint instrumentation vs voice (and against itself at times) made this Metal more interesting, along with John's vocal harmonies and no one was singing "Lalalalaaaa's" in Metal. They found their unique voice within Metal and pushed outside any boundary.
Even though John Arch would leave after the Awaken Tour (a long awaited return to music would come for his solo album "Twist of Fate" in 2003 and with the current FW line-up for Arch/Matheos "Sympathetic Resonance" in 2011) and be replaced by Ray Alder, they would present their Prog Metal masterpiece "No Exit" (1988). Thrash songs that had odd-meter, multi-tempo changes and the epic 21:58 multi sub-sectioned track "The Ivory Gate of Dreams" (the entire side 2 on LP) would make quite the mark in Prog Metal history. Full of multi-layered instrumentation, tempo-changes, adventurous polyrhythmic/point-counter point structures and beautiful quiet moments to full aggression (with keyboards accenting songs from Kevin Moore who would make a name for himself soon after in Dream Theater).
They would reinvent themselves afterwards with "Perfect Symmetry" in 1989 with drummer Mark Zonder challenging them further with odd-metered notes but fitting perfectly in any song structure and mood. Taking them into uncharted Prog Metal territory.
The era of Arch, Guitarist Victor Arduini, Drummer Steve Zimmerman; later with Alder, Guitarist/Founder
Jim Matheos, Guitarist Frank Aresti, Bassist Joe DiBiase and Drummer extraordinaire Mark Zonder (and into the future with Bassist Joey Vera, and Drummer Bobby Jarzombek most respectively) would solidify what Prog Metal was. Each taking musicianship to whatever extreme or melodic tempo, as well as not afraid to experiment with various moods and atmospheres, their musicianship was a tightly run ship that
carried the weight of perfection while at the same time letting the music breathe and laying the
importance of the songs individually.
Again and again with each release, changing their sound and always making them too unique to duplicate, but always identifiable as Fates Warning. It is a crying shame that they don't get the credit they well
deserve and play bigger venues, yet their fans are the most loyal and dedicated Internationally (especially in Greece who in particular greet them as family).
http://mavearworx.weebly.com/blog/category/my-personal-story-with-progressive-metal-part-1-of-2
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To those that influenced and inspired the Prog Metal genre.
The Progressive Rock Roots . . .
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|
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Pink Floyd
Jethro Tull
Yes
Genesis
King Crimson
Van der Graaf Generator
Deep Purple
Emerson Lake & Palmer
Uriah Heep
Gentle Giant
Mahavishnu Orchestra
Styx
Camel
Kansas
Allan Holdsworth
Dixie Dregs
UK
Saga
Marillion
Porcupine Tree
Enchant
Spocks Beard
Frost*
(and Neo-Prog Rock)
Pink Floyd (1967 - 1977) -------- Many consider them a huge influence on many different levels.
Jethro Tull (1968 - 1972 - 1982-) ------- Link to Folk Metal and various Prog Rock/Metal such as Magellan, Tempest and Psychotic Waltz and Folk Metallers Skyclad.
Yes (1969 - 1972 - 1980 - 1994-) ------------| In many ways both Genesis and Yes are imbedded into Prog Metal as much as Rush. Inspiring grand instrumentation, virtuosity, lengthy epics , grand concepts to esoteric and prolific songs.
Genesis (1969 - 1972-) -----------| From complex compositions, various lyrical topics and virtuosic musicianship.
King Crimson (1969 - 2017- ) ----| The link to incorporating Jazz and Avant-Garde motifs and complex musicianship. In the 80's having a link to New Wave/Alternative. Also heavier segues, complex riffs/chord and polyrhythm progressions that would inspire technical prowess in many Metal bands (think "Thrak" and Meshuggah).
Van der Graaf Generator (1969 - 1975) ---- Another to add Jazz motifs within Prog Rock yet stretching its concepts.
Deep Purple (1970 - 1971 - 1972 - 1973 - 1974-) ----| If they were Hard Rockers, Progressive Rock, or just Rock, they were the quintessential band that took Rock music into heavier territory. Led Zeppelin and Black Sabbath may get most of the accolades for Hard/Heavy Rock & Heavy Metal, but along with Emerson Lake & Palmer, Deep Purple is owed a huge debt from Prog Metal, as well as in Metal music because of their influences from Jazz, Blues and Classical musics. And it is because of Ritchie Blackmore's visceral Guitar and Jon Lord's keyboard attacks and subtleties, along with the various emotions of Ian Gillan on vocals (with its Soul, Blues and R&B influences), and stage presence, it is these reasons and more that Deep Purple is a influence and inspiration to Metal and Prog Metal that is felt throughout its history, and today.
Emerson Lake & Palmer (1970 - 1971 - 1972 - 1973) -----| Over the top musician skills with Classical overtones are yet another element embedded into the Prog Metal to come, especially for the flashy, virtuosic keyboard players. Just as important to Prog Metal as Deep Purple and Uriah Heep. Keith Emerson on the keys, is definitely the reason why many Prog Metal bands have keyboards as an important lead instrument (along with Yes and Genesis), and maybe for the bands that don't utilize keyboards, or at the very least, use them to add texture.
Uriah Heep (1970 - 1971 / 1971 - 1972 / 1972- 1973 - 1974-) ----| Again, yet another band with R&B, Blues, Classical and Jazz tropes that would influence the harder edged bands, and put keyboards (and the Hammond B3) in the forefront as much as the guitars, and add a new texture and "heaviness" to the expanding genre of Hard/Heavy Rock, and eventually Heavy Metal and "Prog Metal".
Gentle Giant (1970 - 1974) ----------- Super complex compositions, vocal harmonies, odd-tempos/time changes and polyrhythms will be the huge influence (along with King Crimson) for the more Technical Prog Metal. Also an influence on Spock's Beard, Echolyn, Kansas and Haken.
Mahavishnu Orchestra (1971 - 1973) -------| Jazz/Fusion and the "Guitar Shredder" will be highly influenced by John McLaughlin and his band, from complex to atmospheric and all out jamming. Inspiration to such bands as Cynic, Damn the Machine/Ohm:, Aghora.
Styx (1972 - 1977-) ------ The contentious link to bands such as: Dream Theater, Lemur Voice, Vanden Plas, Sun Caged, Shadow Gallery and the like.
Camel (1973 - 1974-) ---------- More soulful Guitar influences (much like David Gilmour of Pink Floyd), groove tempos and atmospheric interludes to inspire Prog Metal that was more than shredding. A huge influence on Mikael Akerfeldt of Opeth.
Kansas (1974 - 1975 / 1975 - 1976-) ---------| Most Prog Metal bands will recognize that Kansas were able to produce complex pieces, much like an orchestra, but were subtle enough to let the "song" come through. Yet another influence on Dream Theater, Enchant, Magellan, Steve Morse and the like.
They may have been known for their AOR "Hit Singles" that became Classics, but they were MUCH more. They were the premier American Progressive Rock band that did it their own way who still tour and will be releasing their 15th studio album in 2016.
Allan Holdsworth (1976 - 1989-) - Coming from the likes of John McLaughlin, Al DiMeola and John Scofield and many others, Jazz/Fusion Guitar virtuosity within a unique style of playing would inspire and influence bands like Damn the Machine, Meshuggah and even Yngwie J. Malmsteen.
Dixie Dregs (-1976 - 1979-) ------| Yet another Jazz/Fusion and Progressive band that added just about any music genre and the kitchen sink into the mix along with each band member being a master of their instruments. Note: album featured is from 1977, debut not available.
UK (1978 - 1980) -------------- Supergroup (Mk I & II) that fused Jazz/Fusion and Prog Rock with various atmospheres, complexity and songs into a unique combination. Members from; Zappa, Yes, and King Crimson.
Saga (1978 - 1981-) -------- Taking hints from Yes, this Canadian band would be a unique voice in Prog Rock making it a sound all their own. Also a link to "Pop" Prog era's of such bands as: Yes, Styx, Asia, GTR, Kansas, Genesis, Marillion, It Bites etc.
Marillion (1983 - 1989-) ---- Grown from the New Wave 80's and its early Genesis leanings (with Peter Gabriel influenced vocals by "Fish"), they have progressed into another band that has a very unique approach to Prog Rock for the modern era.
Pallas (1984 - 2001-) ---- Coming at a time when Progressive Rock was deemed over, Pallas and the like (GTR, Yes, Asia, Saga, Marillion, FM, The Dregs, Rush, It Bites, IQ, Kansas and many others) were coming back with a vengeance, and would inspire a new wave of Progressive Rock that would become new classics, inspiring a 2nd wave of Progressive Rock.
Porcupine Tree (1992 - 2002 - 2009) ----- Starting as a "Floydish" and "Psychedelic/Art Rock" band, slowly progressing into a more Prog Rock sound (later with Prog Metal elements) which would influence a slew of bands with that particular darker sound that Tool, Anathema, Paradise Lost, Katatonia and Riverside had started.
Enchant (1993 - 2014-) -------- Another band drawing the fine line between Prog Rock and Prog Metal with virtuoso musicians creating complex compositions to melodic songs very much in a Kansas-like vein but able to make a sound all their own.
Spocks Beard (1995 - 2000-) ---- Touching on styles of the past (Gentle Giant, Genesis, Yes and ELP) have made a unique statement throughout their career from heavier pieces, epic tracks, melodic songs to full-out complex compositions with over the top musicianship. Including their incredible vocals and "5 part harmonies".
Frost* (2006 - 2016-) --------- It's almost impossible to reinvent the wheel, but Frost* were able to touch on the past with the new. Incredible musicians that are able to do the complex and create beautiful melodies and unique "sounds" along with Jem Godfrey and his multi-faceted keyboard style and tones.
- The years represent when each bands premiered with their debut albums. But for some I chose albums that you can clearly hear what "Progressive" meant in the early days (which can be debated till hell freezes over) but I wanted to demonstrate as well, different era's in a particular band that changed to "progress forward" as well (i.e. 2 different years shown), adapting with the times and current technologies.
- Styx is a contentious debate as much as Tangerine Dream, Vangelis, Electric Light Orchestra, Supertramp, Radiohead or The Beatles (Sgt. Pepper). Though even in the beginning, they were a mix of AOR Rock with Progressive elements, as in taking various musics into a Rock foundation, multi-faceted/sub-sectioned pieces and as they progressed further, had a heavier/harder sound and utilized Keyboards just as much as Yes, ELP, Kansas and the like. Also tackling fantasy, dark and moody pieces, and introspective themes with the proverbial "Love Songs"along with the epic.
Like Kansas, they are thought of for their "Hits" when they were so much more. But Kansas was definitely the quintessential premier American Prog Rock band before the likes of Crack the Sky from West Virginia, and Starcastle from illinois.
- I could have easily added other bands as well; Frank Zappa, Crack the Sky, Starcastle, Magellan, FM, Le Orme, Uriah Heep, Kate Bush, Peter Gabriel, Banco del Mutuo, Steve Hackett, Premiata Forneria Marconi, Goblin, Flower Kings, Echolyn, Transatlantic, IQ, Weather Report, Brand X, Return to Forever, Caravan, Happy the Man, Pineapple Thief, Ritual, Black Bonzo, Beard Fish, Astra, Karmakanic, Mystery - the list goes on and on (and on!). Depending what you grew-up on, any of these could be the bands that spoke to
you and Progressive Rock that made their statements loud and clear that Rock could be soo much more.
- Many of these bands are still creating albums, on hiatus or have re-formed.
- Where Progressive Rock comes from:
https://www.youtube.com/watch?v=6eHXus7ZszI&list=PLA911C12EC45DCF4A
- What the Proggers/Creators think . . .
https://www.youtube.com/playlist?list=PL2DU3TBNutEfGuVpwTBZkQ9Modd11e8CI
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Prog Metal branches . . .
~ To the extreme ~
(Tech-Prog Metal/Tech-Death Metal)
Watchtower
Cacophony
Mekong Delta
Cynic
Atheist
Thought Industry
Meshuggah
Mourning Sign
Fredrik Thordendal's Special Defects
Alarum
Zero Hour
Dillinger Escape Plan
Necrophagist
Control Denied
Spiral Architect
Andromeda
Linear Sphere
Scar Symmetry
Panzerballet
To-Mera
(Metal Fusion/Tech-Prog Metal/Tech-Thrash/Tech-Death Metal)
Watchtower (1985 - 1989-) -------------- The link to Technical Thrash - This was THEE band to take Metal into complex territory. Influencing MANY bands including; Death, Sieges Even, Dream Theater, Spiral Architect and many many others.
Lead Guitarist and composer Ron Jarzombek would also create 2 other projects Spastic Ink and Blotted Science with insane results.
Mekong Delta (1986 - 1998-) --------------| Link to Technical Thrash. This band could be looked at as the next complex band since Watchtower. Watchtower got more of the cred to this new minor sub-genre, but Mekong were a sound to themselves. Way ahead of its time.
Cacophony (1987) -------------- Guitarists Marty Friedman and Jason Becker are a direct link to the so-called "Guitar Shredder", but with a Thrash Metal heaviness along with the Neo-Classical, but added very complex compositions to their style much like Watchtower, Mekong Delta and Sieges Even.
Atheist (1989 - 1991 - 1993-) ----------- Link to Technical Death Metal and Florida Death Metal scene. Complex but still brutal, very much ahead of their time. Each tempo change and chugging riffage was like a chainsaw or giant steel blades chopping the fabric of sound waves. "Elements" album starts entering Tech/"Fusion" territory.
Thought Industry (1992 - 1993-) --------- Link to Avant-Garde Metal . No one was approaching Thrash in this way in 1992. Poetic prose turned into lyrics, classical interludes, tempo changes, obscure melodies along with chugging riffage. Way ahead of its time. Madness and prose!
Cynic (Demo years - 1993 - 2008-) -- Influenced: Aghora, Gordian Knot, Canvas Solaris, Bulb, Alarum, Exivious. Link to
Florida Death Metal scene. A unique fusion of Death Metal and Mahavishnu Orchestra-like Jazz/Fusion. Reformed in 2006. 3 of its
members would also be on Death's album "Human" which would progress the Death Metal genre. Though - the "argument" could be that Cynic are more "Prog Death Metal". Many need to checkout the earlier stages of the "heavier" Cynic with their well known Demos 89 to 91.
Meshuggah (1994- 1995 - 1998-) ---------- Link also to Death Metal, Thrash and Avant-Garde Metal. Madness and controlled mayhem within 4/4! Inspiring bands such as; Gojira, Instant Suppression, Dynahead, Scar Symmetry, Degree Absolute, Sadist, Animals as Leaders. Though keep in mind, Meshuggah are almost un-categorical, and are MUCH more than just so-called "Groove Metal".
It's my opinion that the Groove Metal moniker only limits what Meshuggah are and what they were before "Destroy Erase Improve".
Mourning Sign (1994 - 1996-) -------- Link to Tech-Death Metal. Later having very Fusion elements in their Death Metal. Very much ahead of their time and a unique sound.
Fredrik Thordendal's Special Defects (1997-) --- Link to Avant-Garde Metal - A complex trip into the self and quantum physics. Brilliant work on another level from the lead guitarist of Meshuggah. An Allan Holdsworth-like album if done in an Extreme Metal style and turned up to 300.
Alarum (1999 - 2011) ---- Inspired by Atheist, Death, Cynic. Great combo of Math Metal and Jazz fusion along with Thrash/Death Metal. A band that many missed but were ahead of their time.
Zero Hour (1999 - 2001) -----Complex riff/melodies enhance this band that had hardly any soloing. But machine like riffage and metronome-like timing by each musician.
Dillinger Escape Plan (1999-) ------ Main link to Math Core - Inspiration for bands; Sikth, Burst, Neck, Botch, Car Bomb, and early - Killswitch Engage and many others. Over the top aggression and complexity in which they wrote their own book.
Necrophagist (1999 - 2004-) -------- Inspired by Death & Carcass, and link to MeloDeath bands with Neo-Classical hilites take the unworldly musicianship to another level in modern Death Metal.
Control Denied (1999) ------------ The late great Chuck Schuldiner of Death tries his hand at Technical Prog Metal with amazing results. Yet still maintaining a great sense of melody within the technical prowess.
Spiral Architect (2000) ----------- Link to Watchtower, (Early) Sieges Even, Twisted Into Form. Unreal musicianship permeates these super complex compositions taking what Watchtower had done and turning it up a notch. Amazing! Members come from a wide range of Metal styles to create a super-sized monster - a side of Prog Metal with a need to be challenged!
Andromeda (2001 - 2011-) ------------- Link to Tech-Prog Metal bands: Pagan's Mind, Sun Caged, Anubis Gate. Guitar shredding meets Prog Metal, as each album release would be refined into a cohesive Tech-Prog Metal machine.
Linear Sphere (2004 - 2012) ----------- Complex melodies with angular vocals creating a unique sound. A combination of Math and Fusion Metal ala' Cynic and Watchtower, but again, taking elements yet making it their own.
Scar Symmetry (2005 - 2015-) ---------- Adding clean melodic vocals along with harsher vocal styles as its fellow practitioners: Opeth, Edge of Sanity, Gardenian, Believer, Extol, Soilwork, Alkaloid. Death Metal meets Progressive Metal and then some. From mathematical, to melodious and all the above.
Panzerballet (2005) ------------- Link to Jazz/Fusion Metal(?): Cynic, Mattias Eklundh, Freak Kitchen, Jonas Hellborg, Attention Deficit, The Aristocrats. (Note: "Albums" by Pb have been removed from YOUtube).
To-Mera (2006 - 2008 - 2014) ---------------- Link to Darkwave Metal/Symphonic Prog Metal. An interesting combination of Gothic tones with Fusion, Atmospheric and Math Metal complexities, accentuated by beautiful melodic female vocals. No one really sounds like them, which is a feat in itself these days. Featured the original bassist from "Haken" Thomas Maclean, who played Lead Guitar. Sadly the band disbanded in 2015.
- Note: A few of these bands are also in the Death Metal category but with an emphasis on Progressive and complex compositions. A separate "Sub-Genre" found below are from its predecessors and those who have progressed Extreme Metal further.
- Again, many bands could be added: Aghora, Disillusion, Prototype, Illogicist, Memento Waltz, Ihshan,
Alkaloid, Solution 45., Blotted Science, Spastic Ink, Twisted Into Form, Continuo Renacer, Between the
Buried Me, Periphery, TesseracT, Behold... The Arctopus, Canvas Solaris, Exivious, Koyaanisqatsi, Sikth,
Vintersorg, and A((wake)) for a small example, but I give anyone their share of what they may deem the best examples of the newer bands or those that lean toward the readers tastes.
- Please research each band to see when their debut albums (or demos) were released.
I am also coming to the conclusion that the genre(?) "Math Metal" may be an "Umbrella Term" for any Metal music that is; complex to an extreme, progressive but has complexity on how its composed, played and ahead of its time. Utilizes various other musics to "inspire" or influence, such as; Classical, Jazz, Jazz/Fusion, Avant-Garde and whatever else, thrown into a blender and the creative mind and voila!
Many are debating bands (of many to our surprise) such as Death and Necrophagist, that they are NOT
complex or even "technical". As for Death, examine the drum techniques and its drummers since
"Human": Sean Reinert, Gene "The Atomic Clock" Hoglan, and Richard Christy. Are these not 3 of the
most technically precise drummers out there from the early eras of Thrash and Death Metal to have
influenced the new technical extreme drummers of today? So the rest of the instruments must follow suit to play as complex, or at the very least, counterpoint the drums, vocals and each other.
Also, I can't emphasise this enough; This genre had to "start" somewhere, Death's Human album came out in "1991" (Individual Thought Patterns in 1993, and Symbolic in 1995). What other band was doing this, other than the most obscure bands (for its time, or if you happened to miss out on them)? . . .
- Atheist "Piece of Time" and the even more technical "An Unquestionable Presence" debuted in 1989 and 1991.
- Cynic - in the time of their "Demo" days especially; Circa 1988 to their debut "Focus" in 1990.
- Watchtower "Energetic Disassembly" and "Control and Resistance" came in "1985" and 1989.
- Sieges Even "Life Cycle" in 1988 (predecessor to Watchtower's Control and Resistance, yet sounding alike musically).
- Mekong Delta with; their Self-titled debut in 1987, "The Music of Erich Zann" in 1988, "The Principle of Doubt" in 1989 and "Dances of Death (and Other Walking Shadows)" in 1990.
- And Cacophony's debut "Speed Metal Symphony" in 1987(!).
There are a "few" more, but for the most part these were the pioneers in technical Metal. Compared to other Metal of the time (Thrash, Death Metal and remember, the genre "Prog Metal" did NOT exist as of yet, or when it did, was not widely known for a time - Circa 1985) - THESE were far beyond technical, complex and progressive. So yet again, put yourself back in the time (If you were a kid just starting out listening to Metal, and especially if you were born after 1990 to 2000) when these albums were "released" (or unleashed) among the other heavy metal fare.
How about Necrophagist? Drummer wise, these are some of the most complex and diverse drummers out there in our contemporary times; Hannes Grossmann, Marco Minnemann, and Romain Goulon.
Hannes Grossmann went on to co-founded Obscura and now drums for Alkaloid and Blotted Science.
Marco Minnemann has played various styles of music and wrote the book "Extreme Interdependence: Drumming Beyond Independence" about developing techniques on "4 Limb Independence".
Let's include Tomas Haake of Meshuggah, it has also been said THEY are not "Technical" (is it because most of the music is in 4/4? But what about what is played within that 4/4? And who is the "real"
percussionist, and who is the lead instrument?) - all the above bands have insanely talented, well crafted drummers who supply not only technicality, but other types of music and influences to their arsenal of styles. So doesn't EVERY other musician in each band have to keep up with the drummer for timing, rhythm, polyrhythms, syncopation, odd-meter and dexterity? As well as "Composing" the music and each part the musician plays?
"Prog Metal" is a genre with many many variables, different styles, influences, and mixed up for a new concoction. But the word "Tech" can be added to each Metal subgenre to emphasise their complexity.
But what about bands like; Watchtower, Atheist, Cynic, Blotted Science, Continuo Renacer, Behold... The
Arctopus, Linear Sphere, Alarum, Spiral Architect, Aghora, Illogicist, Twisted Into Form, Zero Hour,
Memento Waltz, Vintersorg, To-Mera and many others (and in many ways, Meshuggah) that don't "fit" a particular defined subgenre? These and more are taking the complex extremes and making it their own subgenre. Of course these are all progressive, but it wasn't Gentle Giant, Genesis, Yes, Dream Theater, (in some cases) Fates Warning, or Rush. It was much heavier . . .
Though, all these could be very meticulous and complex, but the heaviness and harshness of its extreme Metal brethren were taking it all to further extremes - But, Fates Warning for 2 earlier albums; "Awaken the Guardian" and "No Exit" and quite possibly their last 2; "Darkness in a Different Light" and "Theories of Flight", which also includes "Arch/Matheos", were close to Thrash in many aspects and technical, and all very influential - but fell into the "Prog" category. Dream Theater also had its heavier songs as well, adding their own take on aggressiveness with complexity.
As I had heard it called in a trade magazine when Watchtower's Control and Resistance was getting its
accaliam, Math Metal seemed to fit what was on the tin, it explained exactly how complex things could get.
Believe me, I did NOT make up that title, and if I did, it would be a very contentious title.
These points have to be a consideration in what is "technical"? When did many of the precursors and
pioneers present these musics and want to break rules, barriers, push the envelope and want to challenge
themselves, the audience and what music could be for those that understood this new extremity to the
music of Metal.
Origin of all eQuations . . .
Circa 1999
I wanted to preface something that is for the younger generation and the layman not familiar with this type of technical Metal, as it is something I recently ran into with a person I was trying to have a discussion with, who thought this genre was debated already on "Lock Horns".
Math Metal is NOT "Mathcore", and Math Metal was a minor sub-genre to those in the know more than a decade before Math Core (sorry, I can't take credit for the moniker "Math Metal"):
- Mathcore was influenced by Hardcore, Thrash (Crossover?), then later Death Metal, but always with a Punk aesthetic (the "Core").
- It was certainly born from, specifically (as said in an episode of "Locking Horns"), "Dillinger Escape Plan". Screaming, overly complex, angular, violent, jagged, yet very RAW in sound. DEP started under the name "Arcane" as a hardcore Punk band, and became DEP in 1997 (1st Ep) and progressed on their style in the years of demos that followed until finding their unique sound with the release of "Calculating Infinity" in 1999.
Circa 1985-86
But that is not Math Metal. Math Metal derives from Prog Metal, in a sense that the music is played as clean or polished as a Classical or Jazz Fusion piece, with a musician proficiency of the same. The compositions varied in complexity and aggression, and derived from the same elements as Progressive Rock or Prog Metal, infused with; Classical, Jazz/Fusion and Thrash, and soon after Death Metal. Many Thrash, and Death Metal bands started breaking out of its parameters, becoming a bit more complex with its rhythmic structures and odd-timing, and challenging polymeters, point-counterpoint of instruments, and becoming angular and atypical of other Prog Metal bands that were starting to get noticed in its infancy.
The 6 bands that I personally witnessed to be the 1st were:
Watchtower (1985 - 1989), Mekong Delta (1986), Cacophony (1987), Fates Warning (1988), Atheist (1989 - 1991) and Cynic (1993). Watchtower in particular, which "somewhere" I first read the term "Math Metal" (as well as "Technical Thrash") used for the Texas based band. Sure there were others, but these were the 1st, I witnessed press, holding them up as the most technical of its time.
Note Fates Warning "Awaken the Guardian (1986)", who were also breaking out of Metal parameters (and tempo changes very much ahead of its time) and becoming something not heard before, being the forefathers of Prog Metal along with Queensryche.
Death (1990 - 1991) would also influence and inspire other genres and Death Metal to become more technical in the early stages of these more "technical" aspirations. And into the more extreme and technical era's of today. These were indeed the "Precursors".
Thrash bands like Anacrusis, Realm, Believer, Powermad, Wrathchild America, Toxik, Forbidden, Depressive Age, Secrecy, Paradox, Deathrow (see lists on the Family Tree for music samples that are linked) and others began to show its more complex and progressive leanings which in-turn influenced the burgeoning bands showing off their more complex compositions (Death, Nocturnus, Carcass and many other bands coming from all styles of Metal).
All these bands would influence the new wave of technical bands, including many Tech-Death Metal that I mention in the Family Tree lists. These bands I would think to most ears have a sound that is VASTLY different than "Mathcore" bands that started emerging after Dillinger Escape Plan ("1999").
Metal, Progressive Metal and Technicality would merge with such acts as Psychotic Waltz (1990),
Meshuggah (1991 - 1995) and Spiral Architect (1995) along with MANY underground bands, would inspire a new complexity in all manners of style and melody. Which invigorated the next wave that included all forms of Metal into technical progressive territory. Even for many Prog Metal bands that were not as technical, but would add bits and pieces of complexity as another color to the pallet (i.e. both Death/Chuck Schuldiner and Dream Theater cite "Watchtower" an influence on their music).
There are many Progressive Rock bands of the mid 1970's and 80's that were showing their complex prowess in various styles that were a inspiration/influence on many different musics. Including Jazz/Fusion masters, many of which showed their skills on Guitar (and of course, on Keyboards, Drums and Bass) as well. Classical composers influencing many "Guitar Shredders" of any style be it rock, fusion or metal. Now take all these forms and fit them into those who wanted to take Metal into a cerebral vortex to challenge the musician and the listener's ear.
Many have criticized that this type of music lacks "soul", but it takes quite the dexterity, musicianship, a creative mind and the want to break out of preconceptions. Many could try to play these complex musics, but many Jazz and Classical musicians could read the music, but would they have the "soul" to know how to give it life?
There are many that can though, and infuse all these musics into a controlled chaos, or what may sound chaotic to some, but there is a timing to it all to keep the puzzles in place.
Out of this music has created some astounding musicians in guitar, drums, bass, keyboards and more. These people think on another level, doing their best to create something new and exciting to break the laws of convention to prove, there are no rules. They were meant to be destroyed and rebuilt with all their jagged edges and odd shapes in-tact, but in harmony, no matter if disjointed in its controlled chaos.
You can hear where this music comes from and where it was headed in this playlist . . .
Origins: Math Metal ~eQuations I:
https://www.youtube.com/playlist?list=PL2DU3TBNutEdtiYql5HxhzIxzuFIPcXS9
Hopefully I will tackle Part II before this century is over :p.
Also sample those who embrace Classical and Jazz/Fusion:
http://mavearworx.weebly.com/blog/in-response
And those who progressed Metal forward . . .
http://mavearworx.weebly.com/blog/category/my-personal-story-with-progressive-metal-part-1-of-2
- Many of these bands are still creating albums or have re-formed.
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~ Extremes . . . ~
Technical Death Metal
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The Root Legends
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Death Cynic Atheist
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Cynic
Atheist
Loudblast
Nocturnus
Edge of Sanity
Death
Atrocity
Carcass
Pestilence
Rosicrucian
Gorguts
Cryptopsy
Oppressor
Hieronymus Bosch
Arch Enemy
Theory in Practice
Necrophagist
Darkane
Extol
Gojira
Psycroptic
Obscura
Gorod
The Faceless
Beyond Creation
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a branch to . . .
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Prog-Death Metal
Opeth
Meshuggah
Scar Symmetry
Ihsahn
Spawn of Possession
Wintersun
In Mourning
Insomnium
Anciients
Alkaloid
Fallujah
Persephone
Be'lakor
Solution 45.
(Progressive Death Metal/Tech-Death Metal)
Cynic (1988 thru 1993-) ----- Influenced: Aghora, Gordian Knot, Canvas Solaris, Bulb, Alarum, Exivious, Linear Sphere.
Link to "early" Florida Death Metal scene. A unique fusion of Death Metal and Mahavishnu Orchestra-like Jazz/Fusion. Earlier incarnation would be slightly heavier and rougher vocals. Again, 3 of its members would also be on Death's album "Human" which would progress the Death Metal genre even further.
Atheist (1989 - 1991 - 1993-) ----- Link to Florida Death Metal scene. Complex but still brutal, very much ahead of their time. Each tempo change and chugging riffage was like a chainsaw or giant steel blades chopping the fabric of sound waves. Would also push their sound to more Fusion/Prog Death Metal with their Jazz influences.
Loudblast (1989 - 1993 -) ---- Very ahead of their time but by 1993 they progress further honing their skills and compositions into perfection.
Nocturnus (1990 - 1992-) ---------- 1st to utilize Keyboards and Science Fiction themes. Complex with very progressive leanings yet still maintaining the old school Death Metal sound. Very challenging for the late 80's early 90's.
Edge of Sanity (1991 - 1996) ------- One of the 1st Death Metal bands to utilize Melodic Vocals with "Death Growl". But the album that brought them to the fore-front was Dan Swanö's conceptual masterpiece "Crimson" in 1996, with Mikael Akerfeldt on lead Guitars and guest vocals.
Death (1991 - 1998) ---------Death has been mentioned by many as influencing Death Metal bands into more complex territory. Going beyond the gory lyrics (as did Carcass) into topical subjects with its more progressive musicality. Chuck Schuldiner, founder/composer/lyricist/Lead & Rhythm Guitarist would hire on top musicians to help the band be the fathers of technical Death Metal but with a strong sense of melody.
Atrocity (1990 - 1994) ------- Their 1st 3 albums were one of a kind, lots of abstract chords and compositional ideas that were way ahead of their time. They later embraced more Gothic tones, and then a combination of sounds they've experimented throughout their career. Unsung heroes who may not have influenced but were unique in a vast sea of bands.
Carcass (1991 - 1993-) ------------- Link to Grind Core and Melo-Death Metal - Another influential band lyrically and becoming more complex on "Necroticism – Descanting the Insalubrious" (1991) and "Heartwork" (1993) as well as their latest album and return with "Surgical Steel" (2013).
Pestilence (1991 - 1993 - 2009-) ----------- From the Swedish Death Metal scene, in 1991 experimented in adding Progressive motifs to create their own brand of Technical Death Metal in their mid-career.
Rosicrucian (1992 - 1994) --------- From Sweden, were not well known, but they were a bit ahead of their time utilizing various musical styles, time signatures and music fills (such as Classical themes, Jazz, groove laden riffs, brief Acoustic interludes, even operatic vocals) if for a few seconds at times, it was to create something unique.
Gorguts (1993 - 1998 - 2013-) ---- Completely changing their style from their debut album "Considered Dead", by 1993 "Erosion of Sanity" they had started to become more technical. But it was "Obscura" that would break the mold with its angular riffs, almost avant-garde impressions and experiments in sound. They would inspire many, as well as a band to take on the name; Obscura.
Cryptopsy (1998 - 2000 - 2012-) ----- Even though they started in 1994, 1997 was their breakthrough album of brvtality and mathematical aggression "...And then you'll beg". They are another highly influential band, like Gorguts - of its burgeoning technical sub-genre in the contemporary arena.
Oppressor (1994 - 1996) ----| These 2 bands having a heavier unique style of complexity that set them apart from most Death Metal of its time. Both (Oppressor and Hieronymus Bosch) were not well known, but again adding something different to the Death Metal genre and technicality in its infancy.
Hieronymus Bosch (1995) ---| From Germany (see above).
Arch Enemy (1996 - 1999) ---------- Earlier days of the band showed their prowess for the more technical overlaid on beautiful Classical melodies and Neo-Classical/Rock 'n Roll Soloing to make them sound unique in the genre. With a heaviness of
Carcass, Entombed and At the Gates. They are obviously a contentious subject in "Death" Metal - but I'd advise anyone to listen to their 1st 3 albums with vocalist Johan Liiva.
Theory in Practice (1997 - 2002-) ----- Different levels of complexity enhance this band in brutality and musicianship. It was a Guitar shredders album for Death Metallers.
Necrophagist (1999 - 2004-) ------- Inspired by Death & Carcass, and link to MeloDeath bands, Yet set the tone for over the top complexity, adding Neo-Classical melodies. Each musician being inhuman in the mastery of their instruments.
Darkane (1999 - 2013-) ---------- Incredible musicianship at various tempos make for some complex Death Metal (adding a bit of Thrash elements) with varied vocal styles.
Extol (2000 - 2003-) -------------- Link to Christian Death Metal. Complex tempo changes including one of the 1st to utilize melodic vocals and "various" extreme vocal ranges (along with Gardenian, Opeth, Soilwork, Scar Symmetry). Their 1st 2 Albums/Ep's have a more of a "Black Metal" approach, but have progressed forward with more progressive overtones.
Note: For whatever reason; "Undeceived" is the ONLY album that is blocked from their catalogue - sorry about that :/.
Gojira (2001 - 2012-) ------------- From France, inspired by the likes of Meshuggah and a combination of Death Metal and "Groove Metal". Taking on interesting topics in their lyrics as well. Not your typical Death Metal fare.
Psycroptic (2001 - 2008-) --------|
Obscura (2004- 2009-) ----| Taking what Necrophagist and Goreguts started and creating a new monster of technicality, brutality with neo-classical, fusion influences and outstanding musicianship.
Gorod (2006 - 2009-) -------------| 5 bands leading the way to Progressive/Technical Death Metal to destroy the environment and snapping necks from all the time changes!
The Faceless (2006 - 2008-) ------|
Beyond Creation (2011- 2014-) ----|
Each of these taking the Death Metal foundation into an architectural nightmare of shapes, colours and jagged edges that form an intricate puzzle of various music techniques. Creating monsters of musicianship. If its emphasis of melody, neo-classical flurries, Jazz/Fusion-like mood swings/odd-time signatures to all out mutated epics. This is a level that even old school Death Metallers find too modern or too complex. But many grasp the idea that Metal was meant to have no barriers and to push minds forward while maintaining brvtality.
- Add "Prog Death Metal" to the mix and you get bands that are a mad combination of Death, Opeth or Meshuggah meet; atmospheres/soundscapes, technicality, concepts, gothic motifs and even moments of doom (see/hear samples below), also utilizing various vocal styles along with the death metal growl/cookie monster vocalization - all with a Progressive Rock/Metal foundation (see below) . . .
- Many other bands that were the other forefathers or new combinations of Progressive Death Metal:
Disincarnate, Demilich, Cryptopsy, Mercyless (from France), Monstrosity, Illogicist, Gardenian,
Decapitated, Sadist, Martyr, Novembers Doom, Nile, Abysmal Dawn, Ihshan, Solution 45., Decrepit Birth, Desecravity, Alkaloid, Fallujah, Persefone, Be'lakor, Ouroboros, Spawn of Possession, Insomnium,
Anciients, In Mourning, Scar Symmetry, Wintersun, Meshuggah / Special Defects and plenty others. Including . . . . Opeth yet again.
Keep in mind for those unusual bands like "Meshuggah", they are much more than "Groove Metal", and
almost impossible to categorize - which is a good thing.
Any one of these could definitely represent what the genre was built upon and where it is headed.
Believe me, it was VERY hard not to include these on the list, but the very fact that I had to mention them - should be sought out by those who are not familiar with any of them (also research the "years" of their debut releases). But to those that followed Death Metal and their incarnations to see how it changed their forms to construct a new machine, all these bands should not be taken for granted. And if I had a Top 50/100, I'd add these and more.
These are the pioneers that took brvtality, turned it on its nose and created a new mutated monster. Especially for the time and era they were created among other Metal bands and genres. It was all NEW and had to start somewhere - and who were those earlier bands that helped create the newer/contemporary sounds.
get to it when I'm able).
Note: Many of these bands are still creating albums or have re-formed.
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Mekong Delta
Forbidden
Liege Lord
Deathrow
Realm
Anacrusis
Powermad
DBC (Dead Brain Cells)
Wrathchild America
Toxik
Heathen
Sabbat
Coroner
Believer
Paradox
Secrecy
Depressive Age
Nevermore
Prototype
Vektor
(Progressive Thrash Metal/Tech-Thrash)
Mekong Delta (1987 - 2014-) -------- Direct link to Math Metal/Tech Prog Metal's full complexity and creativity. One of the 1st bands to go into Math Metal terrain along with Death, Cynic, Watchtower, Cacophony, Atheist and Anacrusis.
Forbidden (1989 - 1990) ----------- Playing Thrash with various chord progressions instead of the typical palm-muted, bar/chord downstroking - "Forbidden Evil" (1989) and "Twisted into Form" (1990) are considered classics among Thrash fans of the Bay Area Thrash scene, but they are never included on any Thrash list to our disappointment. They had reformed twice for 3 more albums.
Liege Lord (1988) ---------- A more melodic Thrash outfit but with progressive U.S. Powermetal overtones.
Deathrow (1988) ----------- Their 3rd album "Deception Ignored", a change of style complete with odd tempo and various abstract polyrhythmic progressions.
Realm (1988 - 1990) -------------- 1st Thrash band to use Guitar Synth's within a very progressive structure, especially on their 2nd album "Suiciety" (1990) which was a unique Progressive Thrash masterpiece, way ahead of their time.
Toxik (1987 - 1988) --------------- Another with 2 classic albums taking Thrash into Prog territory. Especially on "Think This" (1988) with its early Progressive Metal leanings in composition and very melodic vocals that was very unusual for Thrash.
Anacrusis (1988 - 1993) ------------ Yet another very unusual band being progressive, angular and abstract in their rhythmic motifs with screaming and melodic vocals.
Powermad (1989 - 2015-) ---------- Playing with odd tempo changes and breakdowns ahead of their time with excellent vocals and pitch perfect screams. They also reformed and are releasing a brand new album "Infinite", which is heavier but retains the Powermad sound.
DBC (Dead Brain Cells) (1989) --- Another gem, tackling the topic of the universe with music to match.
Annihilator (1989 - 1990-) ----- 2 greatly influential albums featuring mad compositions flexing their virtuosic muscles.
Wrathchild America (1991) --- Starting out as a Thrash band with Heavy Metal leanings, to their more adventurous 2nd album "3D" using various music styles at any given time within Thrash structures along with tempo-changes and other madness, creating a very unique style in the genre.
Heathen (1987 - 1991 - 2009) ------- Born of the Bay Area Thrash scene taking Thrash and pushing it forward with their next 4 albums adding more adventurous twists and turns.
Sabbat (1988 - 1989 - 1991) --------- A link to "Folk Metal" by way of Singer Shakespearean/Dickens Bard Martin Walkyier, founder of Skyclad. But Guitarist Andy Sneap presenting it with complex compositions on their 2nd album; "Dreamweaver: A History of our Yesterdays" (1989). Especially on their 3rd album "Mourning has Broken" (1991) which was even more progressive with its beautiful abstract solo's, complex melodies and a more operatic vocal style from Walkyier's replacement, Ritchie Desmond.
Coroner (1989 - 1991-) ------------- Complexity with speed yet taking the music into unique direction.
Believer (1989 - 1990 - 1993-) ------------- Link to Christian Thrash, adding complex rhythms/tempo changes and orchestra/operatic vocals on the album "Dimensions". They have always approached Thrash adventurously, but Dimensions take it ahead of its time.
Paradox (1990 - 2012-) ------------- Becoming a bit more cohesive on their sophomore album "Heresy", a conceptual album based on the Crusades that featured adventurous musicianship. They continued onward with their more technical brand of Thrash through the new millennia and will be releasing their latest effort in 2016 "Pangea".
Secrecy (1990) ------------- Very progressive approach to Thrash with a very unique sound.
Depressive Age (1992 - 1993) ------ Another to find a unique sound with angular, odd-meter motifs.
Nevermore (1995 - 1999) ---------- Founders of Thrashers Sanctuary go for a heavier and even more progressive sound which span from 1995 to 2010. Vocalist Warrel Dane and Bassist Jim Sheppard would reform Sanctuary, while Guitarist Jeff Loomis would go on a solo career taking the more complex compositions further.
Prototype (1998 - 2014-) ---- Link to Tech-Prog Metal, approaching Thrash with a Prog Metal influence. Sometimes complex but always melodic and very unique in its style.
Vektor (2009 - 2011-) -------- A new wave of Thrash with Prog Metal influences. Fast at times and complex moving Thrash forward yet again.
Other bands that could be listed; Watchtower, Xentrix, Vio-Lence, Viking, (later) Dark Angel, Artillery, Aspid, Evile, Crisix, Helstar, Demolition Hammer, Tourniquet, Confessor, INC. (Indestructible Noise Command), Evil Dead, Holy Moses, Forced Entry, Diamond Plate, Kreator (Extreme Aggressions, on -), Exmortus, and yet again Meshuggah, and many more that would fit nicely in the list, progressing Thrash beyond the limits.
We can all blame Ron Jarzombek/Watchtower for this technical nightmare come to life!
The exposing of a forbidden evil.
I have to mention a band that has always been left out of most Thrash lists, or on any top 10 that may not have "influenced or inspired" many bands, but were a unique band in a genre that could be static, without those significant few that made their indelible mark as being ahead of their time.
Forbidden (out of Concord CA.) came from the Bay Area Thrash scene with its more famous family of Thrashers (1st known as "Forbidden Evil").
- Paul Bostaph (famous for his time in Slayer, taking over for Dave Lombardo) was their drummer for the 2 debut albums that are legendary; "Forbidden Evil" (1988) and "Twisted Into Form" (1990).
Adding his amazing abilities of technicality and sheer brutality on the kit before anyone knew who he was until his time in Slayer, but its die-hard fans remember him and his band mates for their 2 classic albums. Many of us don't listen to the 2 as nostalgia, but music that still resonates today that hold their standard to most metal that is out there with the contemporaries.
- The guitarists Craig Locicero, Glen Alvelais (and Tim Calvert who would replace Glen for "TiF" and performed on their 3rd album "Distortion" in 1995. Who would also join Nevermore) did not play just palm-muted riffs, but complex chord progressions and dueling point/counterpoint solos with amazing fills within any speed along with beautiful acoustic guitar intros.
The music could be complex but were able to make it sound effortless yet maintain melody and brutality. - With Matt Camacho on Bass providing the bottom end at any tempo change and complexity.
- The vocalist Russ Anderson, was indeed a "Vocalist" who could sing in a rough style, but could also sing melodically and add hi-lites/falsetto keys much like Rob Halford of Judas Priest. If you look at the the back cover of the "LP" Twisted into Form, Russ's image is engulfed in flames, THATS the exact representation of his vocals. . .
The music was a force to be reckoned with - with a VERY unique sound, and they would reform 2 more times until calling it quits sadly in 2012 (their last album being "Omega Wave").
Their 3rd effort was a rare Ep that showed that they were progressing their style:
- Trapped (1991): https://www.youtube.com/playlist?list=PL70DAF0F9F5E34E95
Some of these songs would be developed further for their official 3rd full length album:
- Distortion (1995): https://www.youtube.com/watch?v=6I_CeTEpD-g
The music was Thrash based, but many songs experimented with their sound, still aggressive but progressed into their own dark style. This was one of 2 albums that brought them back from their last album and tour in 1991/92.
For the next album, "Green", they tried to ride the "Aggro" band wagon (a genre term that was used
during the era, now widely known as "Groove Metal", but then referred to such bands as Machine Head,
Dearly Beheaded, Pike, Soulquake System, Pantera, Crowbar, Pro-Pain, Souls at Zero, along with many others, and Sepultura's new sound, along with others experimenting with this groove such as;
Overkill, Overdose, Kreator and Flotsam & Jetsam for 1 or more albums etc.) to present a very raw and heavy offering, to which Russ Anderson had said surprisingly about the album in an interview with
"Maelstromzine": "I thought Green was the best thing we ever did. It just was the wrong time. If we had come out with something like Green when we first came out, it woulda' been so good for us." . Seemed he wanted things even heavier.
The band would break-up again "during" the Green tour (I actually was at the venue they were supposed to play and the announcement came at a Club in Corona or Costa Mesa Calif., memory is a bit fuzzy which location).
In 2008 they were in talks with Nuclear Blast records and released in 2010, the excellent . . .
- Omega Wave (2010): https://www.youtube.com/playlist?list=PLfTxQeh2Hq5RI3UCSCvz_YU9R78A6dJ3v
Bringing them back to their Thrashier roots, but it would be the last album after its following tour. The coffin would seal its great run with only 5 albums under their belt (including their Live album "Raw Evil: Live at the Dynamo" (1989), "The Ultimate Revenge Live 2" (1989), "Trapped" Ep (1991), and appearance on the album "A Tribute to Judas Priest: Legends of Metal Vol. 2" (1997).
If I were to compare any bands that picked up their sound; Heathen, Nevermore, Prototype and Diamond Plate (not vocally but musically for the latter 2).
You can view more of their history here:
https://en.wikipedia.org/wiki/Forbidden_(band)
I'd like to note that many bands, mostly in the 1990's, were trying to push boundaries and go beyond the parameters of what the notion of "Thrash" was. These bands were interested in challenging themselves, and the audience to dig deeper in their sense of melody and being much more than just "fast and brutal".
If you look at the history of Prog Metal during this time, there were more Thrash bands progressing with the sound than there were bands IN the new genre "Prog Metal". So it is likely that these bands influenced and inspired many Prog Metal bands in the mid to late 90's, which paved the way for the 3rd wave of Prog Metal in 1999/2000. Many bands would get the moniker; "American/Power Metal", which I always had trouble with, because "Powermetal" in general, most bands found above had more of the attitude and
structure of Thrash (and guitars that may have been tuned-down), but with a progressive bent. But you can see for yourself by watching this Documentary:
https://youtu.be/s5c-zHbrH4Y
To read more about Realm, Sabbat, Wrathchild, Powermad, other Thrash and those that influenced Prog Metal, go here:
http://mavearworx.weebly.com/blog/category/my-personal-story-with-progressive-metal-part-1-of-2
Note: Many of these bands are still creating albums or have re-formed.
Avant-Garde Metal branches . . .
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Experimental Metal (MIO - Metal in Opposition)
Primus
Mr. Bungle
Thought Industry
Pan.Thy.Monium
Arcturus
Negură Bunget
In the Woods
Solefald
Atrox
Ulver
Sculptured
Kekal
Madder Mortem
Fantômas
Maudlin of the Well
Ephel Duath
Green Carnation
Karaboudjan
Sleepytime Gorilla Museum
Age of Silence
Meshuggah
Portal
Experimental Metal (MIO - Metal in Opposition)
Primus (1990 - 1993 - 2014-) ---------- Link to Alternative Metal, again - mix The Residence, Rush, King Crimson, Frank Zappa and Monty Python, add to a blender, then enjoy!
Thought Industry (Demo 1990 - 1993) ----- Link to Tech-Thrash. 1st 2 albums taking Thrash beyond its sanity.
Mr. Bungle (1991 - 1995-) ----------- Link to Alternative Metal. Mike Patton of Faith No More begins his wacky journey.
Pan.Thy.Monium (1992 - 1993) ----- Dan Swanö's original Avant-Garde band.
Arcturus (1997 - 2005-) ------------- Link to Black Metal and Atmospheric Black Metal
Negură Bunget (1996 - 2006-) ----- Unusual mixture of Folk, Atmospheric, Black Metal and the Avant-Garde.
In the Woods (1997 - 2015-) --------------|
Solefald (1997 - 2003-) ------------- Link to Folk Metal and Black Metal, along with atmospheric interludes.
Atrox (-2000 - 2003) --------------- Sometimes complex but engulfed by highly unusual female vocals.
Ulver (1998 - 2005-) --------------- Link to Folk Metal and Black Metal
Sculptured (1998 - 2008) ----------- Poetic prose meets music of the same form.
Kekal (1998 - 2007 - 2015-) ------------- From Indonesia. An odd mixture of Prog Metal, Black Metal and the strange.
Fantômas (1999 - 2005) --------------------| Another incarnation of Mike Patton (Faith No More).
Maudlin of the Well (1999 - 2009-) --------------| 5 bands with unique approaches to the obscure.
Madder Mortem (1999 - 2000 - 2016-) ---------------|
Ephel Duath (2000 - 2009-) ------------------|
Green Carnation (2000 - 2005) --- Link to Prog Metal ala: Cea Serin and various styles in vein of Riverside, Enochian Theory.
Karaboudjan (2001) ----------- Instrumental madness from Dan Swanö. Bass heavy and Saxophones!
Sleepytime Gorilla Museum (2001 - 2007) --- Art meets Abstract. How much more "progressive" can you get? Well - like this! People actually get a bit miffed that this is included in the "Progressive" category.
Age of Silence (2004 - 2005) ---------- Standing out among the crowd of the strange and angular. Link to Ulver and Arcturus. Awesome vocals and musicianship.
Meshuggah (2004 - 2005-) ------ Link to Math Metal/Prog Death Metal. 2 albums that show they are ready to break rules.
Portal (2004 - 2013-) ----------- Link to Black Metal - Brutal, weird and dark. Don't turn the lights off!
A few others that are recommended: DisHarmonic Orchestra, Ophthalamia, Alchemist, Old Lady Drivers,
Diablo Swing Orchestra, Carnival in Coal, Unexpect, Sigh, Ram Zet, The Ocean, Kayo Dot, Mantric, Laundry, Thanat0SchizO, Oxiplegatz, Blut Aus Nord, Disillusion as well as many others dwelling in scary places which you can sample here: Avant-Garde Metal (see the related playlist samples).
Definition of: Avant-Garde Metal
An introduction to the genre:
https://www.youtube.com/watch?v=PDFrm6BiFdQ
(see more on their channel: https://www.youtube.com/channel/UCRes2Yp8HNBCmy4DEm1Pc7w )
And more! http://avantgarde-metal.com/
Note: Many of these bands are still creating albums or have re-formed.
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Experimental Rock (RIO - Rock in Opposition/Zeuhl)
King Crimson
Soft Machine
Amon Düül II
Can
Egg
Captain Beefheart
Popol Vuh
Samla Mammas Manna
Faust
Magma
Neu!
Henry Cow
The Residents
National Health
Univers Zero
Thinking Plague
Shub-Niggurath
Ruins
Scott Mcgill, Michael Manring, Vic Stevens
Matts/Morgen
At War with Self
Experimental Rock (RIO - Rock in Opposition/Zeuhl)
King Crimson (1994/1995) ------- Getting a bit more abstract during the late 80's/90's and 2000 era. This is an era where bands like Meshuggah may be influenced by the complexity and riffs that are machine-like stomping like giant blades.
Soft Machine (1968 - 1970)
Amon Düül II (1969 - 1970)
Can (1969 - 1971)
Egg (1969 - 1970)
Captain Beefheart (-1969 - 1978)
Popol Vuh (1970 - 1978)
Samla Mammas Manna (1971 - 1976)
Faust (1971 - 1972-)
Magma (1971 - 1976)
Neu! (1972 - 1973-)
Henry Cow (1973 - 1979)
The Residents (1974 - 1980) ------ You can hear where Primus gets some of their influence, hilarious and disturbing!
National Health (1978)
Univers Zero (1979 - 1986-)
Thinking Plague (1984 - 1989-)
Shub-Niggurath (1986 - 1994)
Ruins (1988 - 1990-)
Scott Mcgill, Michael Manring, Vic Stevens (2001 - 2002)
Mats/Morgan (1996)
At War with Self (2005 - 2015-)
If you can sit through most of these bands, you are ready for anything . . .
For more!
https://www.youtube.com/playlist?list=PL68B52E78296E52BD
And more . . .
https://www.youtube.com/playlist?list=PLu4Ei7kM19lQ4c-ZqTICTqcIQ-dunxg9m
Definition for: RIO - Rock in Opposition
And: Experimental Rock
See Documentary info: Romantic Warriors II: A Progressive Music Saga About Rock in Opposition
Trailer: https://www.youtube.com/watch?v=pU3-zd86BLQ
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Branches to other forms . . . .
Math Core
Djent
Gothic Darkwave/Symphonic Metal
Alternative Metal
Folk Metal
Post Metal